Course Modules: 2022SP-PHOT-252-8648 - Photographer's Portfolio

Introduction and Orientation to Course

Introduction and Orientation to Course Introduction and Orientation to Course

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0.1 | Welcome to the Class and Grossmont Photography Program (READ/WATCH) 0.1 | Welcome to the Class and Grossmont Photography Program (READ/WATCH) 1

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0.2 | Instructor Introduction and Background (READ) 0.2 | Instructor Introduction and Background (READ) 2

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0.3 | Cameras and Introduction to Course Assignments (READ) 0.3 | Cameras and Introduction to Course Assignments (READ) 3

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0.4 | Information for Use of Canvas, Other Applications and Supplies for Course (READ) 0.4 | Information for Use of Canvas, Other Applications and Supplies for Course (READ) 4

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0.5 | Course Syllabus Highlights and Some Thoughts on Succeeding in Class (READ) 0.5 | Course Syllabus Highlights and Some Thoughts on Succeeding in Class (READ) 5

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0.6 | Photography Program Policies and Best Practices (READ) 0.6 | Photography Program Policies and Best Practices (READ) 6

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0.7 | On-Campus Laboratory Practice (READ) 0.7 | On-Campus Laboratory Practice (READ) 7

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Discussion Topic

0.8 | How Did You Learn Photography? (GRADED ASSIGNMENT) 0.8 | How Did You Learn Photography? (GRADED ASSIGNMENT) 40 8

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Module 1 - Beyond the Surface

Module 1 - Beyond the Surface Module 1 - Beyond the Surface

Prerequisites: Introduction and Orientation to Course

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1.0 | Beyond the Surface: Thinking and Seeing Photographs (OVERVIEW / READ) 1.0 | Beyond the Surface: Thinking and Seeing Photographs (OVERVIEW / READ) 1

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1.1 | Thinking about Photographs (READ/WATCH) 1.1 | Thinking about Photographs (READ/WATCH) 2

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1.2 | Difference between Taking and Making Photographs (READ) 1.2 | Difference between Taking and Making Photographs (READ) 3

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1.3 | Seeing Photographs (READ/WATCH) 1.3 | Seeing Photographs (READ/WATCH) 4

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Module 2 - Looking at a Photograph

Module 2 - Looking at a Photograph Module 2 - Looking at a Photograph

Prerequisites: Module 1 - Beyond the Surface

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2.0 | Looking at a Photograph (OVERVIEW/READ) 2.0 | Looking at a Photograph (OVERVIEW/READ) 1

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Assignment

2.1 | One Picture - Image Analysis and Interpretation (GRADED ASSIGNMENT) 2.1 | One Picture - Image Analysis and Interpretation (GRADED ASSIGNMENT) 60 2

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Module 3 - Why People Photograph

Module 3 - Why People Photograph Module 3 - Why People Photograph

Prerequisites: Module 1 - Beyond the Surface

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3.0 | Why Do You Photograph? (OVERVIEW/READ) 3.0 | Why Do You Photograph? (OVERVIEW/READ) 1

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3.1 | Considering How Photography Is Easy and Difficult (READ) 3.1 | Considering How Photography Is Easy and Difficult (READ) 2

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3.2 | What and How You Photograph? (READ) 3.2 | What and How You Photograph? (READ) 3

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Module 4 - Heading Out

Module 4 - Heading Out Module 4 - Heading Out

Prerequisites: Module 3 - Why People Photograph

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4.0 | Heading Out (OVERVIEW/READ) 4.0 | Heading Out (OVERVIEW/READ) 1

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Discussion Topic

4.1 | Considering How Photography Is Easy and Photography Is Difficult (GRADED ASSIGNMENT) 4.1 | Considering How Photography Is Easy and Photography Is Difficult (GRADED ASSIGNMENT) 30 2

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4.2 | The Nature of a Working Process (READ) 4.2 | The Nature of a Working Process (READ) 3

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4.3 | Developing a Working Process - Contact Sheet to Print (READ) 4.3 | Developing a Working Process - Contact Sheet to Print (READ) 4

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Assignment

4.4 | In Sight: Initiating Your Idea and Personal Photographic Vision (GRADED ASSIGNMENT) 4.4 | In Sight: Initiating Your Idea and Personal Photographic Vision (GRADED ASSIGNMENT) 200 5

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Module 5 - Conversations On Being A Photographer

Module 5 - Conversations On Being A Photographer Module 5 - Conversations On Being A Photographer

Prerequisites: Module 3 - Why People Photograph

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5.0 | Developing a Dialogue on Process and Practice 5.0 | Developing a Dialogue on Process and Practice 1

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Discussion Topic

5.1 | What Comes First: The Idea or The Photographs? (GRADED ASSIGNMENT) 5.1 | What Comes First: The Idea or The Photographs? (GRADED ASSIGNMENT) 30 2

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Discussion Topic

5.2 | What are the Key Elements in Creating Work? (GRADED ASSIGNMENT) 5.2 | What are the Key Elements in Creating Work? (GRADED ASSIGNMENT) 30 3

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Discussion Topic

5.3 | Is The Idea of a Body of Work Important? (GRADED ASSIGNMENT) 5.3 | Is The Idea of a Body of Work Important? (GRADED ASSIGNMENT) 30 4

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Discussion Topic

5.4 | Do You Have a "Photographic Style?" (GRADED ASSIGNMENT) 5.4 | Do You Have a "Photographic Style?" (GRADED ASSIGNMENT) 30 5

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Discussion Topic

5.5 | How is Your Visual Voice Being Influenced and/or Shaped? (GRADED ASSIGNMENT) 5.5 | How is Your Visual Voice Being Influenced and/or Shaped? (GRADED ASSIGNMENT) 30 6

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Discussion Topic

5.6 | What Genre of Photography Would You Associate Your Work With? (GRADED ASSIGNMENT) 5.6 | What Genre of Photography Would You Associate Your Work With? (GRADED ASSIGNMENT) 30 7

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Discussion Topic

5.7 | When is a Body of Work or a Series of Photographs Finished? (GRADED ASSIGNMENT) 5.7 | When is a Body of Work or a Series of Photographs Finished? (GRADED ASSIGNMENT) 30 8

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Discussion Topic

5.8 | Do You Create with Presentation in Mind? (GRADED ASSIGNMENT) 5.8 | Do You Create with Presentation in Mind? (GRADED ASSIGNMENT) 30 9

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Module 6 - Looking in the Rear View Mirror While Going Forward

Module 6 - Looking in the Rear View Mirror While Going Forward Module 6 - Looking in the Rear View Mirror While Going Forward

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6.0 | Looking in the Rear View Mirror While Going Forward (OVERVIEW/READ) 6.0 | Looking in the Rear View Mirror While Going Forward (OVERVIEW/READ) 1

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6.1 | Something Better, Or At Least Something Different (READ) 6.1 | Something Better, Or At Least Something Different (READ) 2

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Assignment

6.2 | In Sight: Continuing to Develop Your Idea and Vision (GRADED ASSIGNMENT) 6.2 | In Sight: Continuing to Develop Your Idea and Vision (GRADED ASSIGNMENT) 200 4

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Module 7 - Getting Closer and Closer

Module 7 - Getting Closer and Closer Module 7 - Getting Closer and Closer

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7.0 | Getting Closer and Closer (OVERVIEW) 7.0 | Getting Closer and Closer (OVERVIEW) 1

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Assignment

7.1 | In Sight: Refining Your Idea and Vision (GRADED ASSIGNMENT) 7.1 | In Sight: Refining Your Idea and Vision (GRADED ASSIGNMENT) 120 2

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Module 8 | The Photographic Portfolio

Module 8 | The Photographic Portfolio Module 8 | The Photographic Portfolio

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8.0 | In Sight: Preparing A Photographic Portfolio (OVERVIEW/READ) 8.0 | In Sight: Preparing A Photographic Portfolio (OVERVIEW/READ) 1

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Assignment

8.1 | Final Project: The Photographer's Portfolio (GRADED ASSIGNMENT) 8.1 | Final Project: The Photographer's Portfolio (GRADED ASSIGNMENT) 600 3

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Reference Module 1 - Photography's Materials & Processes | The Camera

Reference Module 1 - Photography's Materials & Processes | The Camera Reference Module 1 - Photography's Materials & Processes | The Camera

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Ref 1.0 | Photography's Materials and Processes | The Camera and The Lens (OVERVIEW/READ) Ref 1.0 | Photography's Materials and Processes | The Camera and The Lens (OVERVIEW/READ) 1

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Ref 1.1 | The Cameras (READ) Ref 1.1 | The Cameras (READ) 2

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Ref 1.2 | Digital Cameras, Smart Phone Cameras, and Apps (READ) Ref 1.2 | Digital Cameras, Smart Phone Cameras, and Apps (READ) 3

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Ref 1.3 | The Lens (READ) Ref 1.3 | The Lens (READ) 4

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Ref 1.4 | The Camera and The Lens (READ) Ref 1.4 | The Camera and The Lens (READ) 5

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Ref 1.5 | Determing the Image Exposure and Making the Photograph (READ/WATCH) Ref 1.5 | Determing the Image Exposure and Making the Photograph (READ/WATCH) 6

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Reference Module 2 - Photography's Materials & Processes | Grayscale

Reference Module 2 - Photography's Materials & Processes | Grayscale Reference Module 2 - Photography's Materials & Processes | Grayscale

Page

Ref 2.0 | Photography's Materials & Processes | Grayscale (OVERVIEW/READ/WATCH) Ref 2.0 | Photography's Materials & Processes | Grayscale (OVERVIEW/READ/WATCH) 1

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Ref 2.1 | Thinking About and Considering Grayscale, Black & White (READ) Ref 2.1 | Thinking About and Considering Grayscale, Black & White (READ) 2

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Ref 2.2 | Visualization and the Descriptive Tonal Possibilities of Grayscale (READ) Ref 2.2 | Visualization and the Descriptive Tonal Possibilities of Grayscale (READ) 3

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Ref 2.3 | The Zone System (READ) Ref 2.3 | The Zone System (READ) 4

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Ref 2.4 | Beyond Normal - Pushing the Boundaries of Tone (READ) Ref 2.4 | Beyond Normal - Pushing the Boundaries of Tone (READ) 5

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Ref 2.5 | Light, Dark and the Edges of the Tonal Range (READ) Ref 2.5 | Light, Dark and the Edges of the Tonal Range (READ) 6

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Reference Module 3 - Photography's Materials & Processes | The Art and Interactions of Color

Reference Module 3 - Photography's Materials & Processes | The Art and Interactions of Color Reference Module 3 - Photography's Materials & Processes | The Art and Interactions of Color

Page

Ref 3.0 | The Art of Color (OVERVIEW/READ) Ref 3.0 | The Art of Color (OVERVIEW/READ) 1

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Ref 3.1 | Interaction of Color (READ) Ref 3.1 | Interaction of Color (READ) 2

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Ref 3.2 | Color Impression and The Color of Light (READ) Ref 3.2 | Color Impression and The Color of Light (READ) 3

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Ref 3.3 | Color Expression (READ) Ref 3.3 | Color Expression (READ) 4

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Ref 3.4 | Some Color Definitions: How Color is Altered (READ) Ref 3.4 | Some Color Definitions: How Color is Altered (READ) 5

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Ref 3.5 | The 12-Hue Color Circle (READ) Ref 3.5 | The 12-Hue Color Circle (READ) 6

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Ref 3.6 | The Meanings of Color (READ) Ref 3.6 | The Meanings of Color (READ) 7

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Ref 3.7 | Seven Color Contrasts (READ) Ref 3.7 | Seven Color Contrasts (READ) 8

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Ref 3.8 | Spotlight: William Eggleston (READ/WATCH) Ref 3.8 | Spotlight: William Eggleston (READ/WATCH) 9

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Ref 3.9 | As Though The Blue and The Sky Were One Thing (READ) Ref 3.9 | As Though The Blue and The Sky Were One Thing (READ) 10

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Ref 3.10 | Spotlight: Stephen Shore (READ/WATCH) Ref 3.10 | Spotlight: Stephen Shore (READ/WATCH) 11

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Reference Module 4 - Photography's Materials & Processes | Developing Black & White Film

Reference Module 4 - Photography's Materials & Processes | Developing Black & White Film Reference Module 4 - Photography's Materials & Processes | Developing Black & White Film

Page

Ref 4.0 | Photography's Materials & Processes | Developing Black & White Film (OVERVIEW/READ) Ref 4.0 | Photography's Materials & Processes | Developing Black & White Film (OVERVIEW/READ) 1

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Ref 4.1 | Film Developing Health and Safety Considerations (READ) Ref 4.1 | Film Developing Health and Safety Considerations (READ) 2

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Ref 4.2 | Film Developing Equipment and Materials (READ) Ref 4.2 | Film Developing Equipment and Materials (READ) 3

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Ref 4.3 | Loading Film On Reel and In Developing Tank (READ) Ref 4.3 | Loading Film On Reel and In Developing Tank (READ) 4

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Ref 4.4 | Film Developing Terms and Definitions (READ) Ref 4.4 | Film Developing Terms and Definitions (READ) 5

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Ref 4.5 | Step-by-Step Guide to Developing Film (READ) Ref 4.5 | Step-by-Step Guide to Developing Film (READ) 6

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Ref 4.6 | How Film Processing Affects the Picture (READ) Ref 4.6 | How Film Processing Affects the Picture (READ) 7

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Reference Module 5 - Photography's Materials & Processes | Input - Principles of Scanning

Reference Module 5 - Photography's Materials & Processes | Input - Principles of Scanning Reference Module 5 - Photography's Materials & Processes | Input - Principles of Scanning

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Page

Ref 5.0 | Photography's Materials & Processes | Input - Principles of Scanning (OVERVIEW/READ) Ref 5.0 | Photography's Materials & Processes | Input - Principles of Scanning (OVERVIEW/READ) 1

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Ref 5.1 | Scanning and Image Sizing - Terms and Definitions (READ) Ref 5.1 | Scanning and Image Sizing - Terms and Definitions (READ) 2

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Ref 5.2 | Using the Epson Flatbed Scanner Ref 5.2 | Using the Epson Flatbed Scanner 3

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Reference Module 6 - Photography's Materials & Processes | Adobe Photoshop

Reference Module 6 - Photography's Materials & Processes | Adobe Photoshop Reference Module 6 - Photography's Materials & Processes | Adobe Photoshop

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Page

Ref 6.0 | Photography's Materials & Processes | Adobe Photoshop (OVERVIEW/READ) Ref 6.0 | Photography's Materials & Processes | Adobe Photoshop (OVERVIEW/READ) 1

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Ref 6.1 | Digital Photography Workflow (READ) Ref 6.1 | Digital Photography Workflow (READ) 2

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Ref 6.2 | Adobe Camera Raw Ref 6.2 | Adobe Camera Raw 3

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Ref 6.3 | Adobe Photoshop Workspace Ref 6.3 | Adobe Photoshop Workspace 4

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Ref 6.4 | Basic Image Optimization - Global Adjustments Ref 6.4 | Basic Image Optimization - Global Adjustments 5

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Ref 6.5 | Basic Image Optimization - Local Adjustments Ref 6.5 | Basic Image Optimization - Local Adjustments 6

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Ref 6.6 | Saving Photoshop Image File Ref 6.6 | Saving Photoshop Image File 7

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Ref 6.7 | Step-by-Step Guide to Adobe Photoshop and Basic Image Optimization Ref 6.7 | Step-by-Step Guide to Adobe Photoshop and Basic Image Optimization 8

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Reference Module 7 - Photography's Materials & Processes | Printing Photographs in a Darkroom

Reference Module 7 - Photography's Materials & Processes | Printing Photographs in a Darkroom Reference Module 7 - Photography's Materials & Processes | Printing Photographs in a Darkroom

Page

Ref 7.0 | Photography's Materials & Processes - The Darkroom (OVERVIEW/READ) Ref 7.0 | Photography's Materials & Processes - The Darkroom (OVERVIEW/READ) 1

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Ref 7.1 | Darkroom Health and Safety Considerations (READ) Ref 7.1 | Darkroom Health and Safety Considerations (READ) 2

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Ref 7.2 | Darkroom Equipment and Materials (READ) Ref 7.2 | Darkroom Equipment and Materials (READ) 3

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Ref 7.3 | Using the Enlarger (READ) Ref 7.3 | Using the Enlarger (READ) 4

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Ref 7.4 | Density, Contrast and Variable-Contrast Filters (READ) Ref 7.4 | Density, Contrast and Variable-Contrast Filters (READ) 5

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Ref 7.5 | Step-by-Step Guide to Printing Negatives in a Darkroom (READ) Ref 7.5 | Step-by-Step Guide to Printing Negatives in a Darkroom (READ) 6

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Ref 7.6 | Darkroom Print Processing Terms and Definitions (READ) Ref 7.6 | Darkroom Print Processing Terms and Definitions (READ) 7

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Ref 7.7 | Step-by-Step Guide to Print Processing (READ) Ref 7.7 | Step-by-Step Guide to Print Processing (READ) 8

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Ref 7.8 | Local and Secondary Printing Controls (READ) Ref 7.8 | Local and Secondary Printing Controls (READ) 9

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Reference Module 8 - Elliptical Narratives

Reference Module 8 - Elliptical Narratives Reference Module 8 - Elliptical Narratives

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Ref 8.0 | Elliptical Narratives: An Uncertain & Unpredictable Narrative (OVERVIEW/READ) Ref 8.0 | Elliptical Narratives: An Uncertain & Unpredictable Narrative (OVERVIEW/READ) 1

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Ref 8.1 | Spotlight: Paul Graham (READ/WATCH) Ref 8.1 | Spotlight: Paul Graham (READ/WATCH) 2

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Ref 8.2 | Spotlight: LaToya Ruby Frazier (READ/WATCH) Ref 8.2 | Spotlight: LaToya Ruby Frazier (READ/WATCH) 3

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Ref 8.3 | Spotlight: Jim Goldberg (READ) Ref 8.3 | Spotlight: Jim Goldberg (READ) 4

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Ref 8.4 | Spotlight: Christian Patterson (READ) Ref 8.4 | Spotlight: Christian Patterson (READ) 5

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Ref 8.5 | Spotlight: Carolyn Drake (READ/WATCH) Ref 8.5 | Spotlight: Carolyn Drake (READ/WATCH) 6

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Ref 8.6 | Spotlight: Roe Ethridge (READ/WATCH) Ref 8.6 | Spotlight: Roe Ethridge (READ/WATCH) 7

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Ref 8.7 | Spotlight: Robert Adams, Alec Soth and Summer Nights (READ/WATCH) Ref 8.7 | Spotlight: Robert Adams, Alec Soth and Summer Nights (READ/WATCH) 8

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