Course Modules: 2022FA-PHOT-150-3772 - Introduction to Photography

Introduction and Orientation to Course

Introduction and Orientation to Course Introduction and Orientation to Course

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0.1 | Welcome to the Class and Grossmont Photography Program (READ/WATCH) 0.1 | Welcome to the Class and Grossmont Photography Program (READ/WATCH) 1

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0.2 | Instructor Introduction and Background (READ) 0.2 | Instructor Introduction and Background (READ) 2

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0.3 | Cameras and Introduction to Course Assignments (READ) 0.3 | Cameras and Introduction to Course Assignments (READ) 3

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0.4 | Information for Use of Canvas, Zoom and Instagram for Course (READ) 0.4 | Information for Use of Canvas, Zoom and Instagram for Course (READ) 4

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0.5 | Course Syllabus Highlights and Some Thoughts on Succeeding in Class (READ) 0.5 | Course Syllabus Highlights and Some Thoughts on Succeeding in Class (READ) 5

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0.6 | Photography Program Policies and Best Practices (READ) 0.6 | Photography Program Policies and Best Practices (READ) 6

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0.7 | On-Campus Laboratory Practice (READ) 0.7 | On-Campus Laboratory Practice (READ) 7

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0.8 | Digital Photography Lab and Computer Use Guidelines (READ) 0.8 | Digital Photography Lab and Computer Use Guidelines (READ) 8

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Discussion Topic

0.9 | How Did You Learn Photography? (GRADED ASSIGNMENT) 0.9 | How Did You Learn Photography? (GRADED ASSIGNMENT) 40 9

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Reference Module 1 - Photography's Materials & Processes | Adobe Photoshop

Reference Module 1 - Photography's Materials & Processes | Adobe Photoshop Reference Module 1 - Photography's Materials & Processes | Adobe Photoshop

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Ref 1.0 | Photography's Materials & Processes | Adobe Photoshop (OVERVIEW/READ) Ref 1.0 | Photography's Materials & Processes | Adobe Photoshop (OVERVIEW/READ) 1

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Ref 1.1 | Digital Photography Workflow (READ) Ref 1.1 | Digital Photography Workflow (READ) 2

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Ref 1.2 | Adobe Camera Raw (READ) Ref 1.2 | Adobe Camera Raw (READ) 3

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Ref 1.3 | Adobe Photoshop Workspace (READ) Ref 1.3 | Adobe Photoshop Workspace (READ) 4

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Ref 1.4 | Basic Image Optimization - Global Adjustments (READ) Ref 1.4 | Basic Image Optimization - Global Adjustments (READ) 5

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Ref 1.5 | Basic Image Optimization - Local Adjustments (READ) Ref 1.5 | Basic Image Optimization - Local Adjustments (READ) 6

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Ref 1.6 | Saving Photoshop Image File (READ) Ref 1.6 | Saving Photoshop Image File (READ) 7

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Ref 1.7 | Step-by-Step Guide to Adobe Photoshop and Basic Image Optimization (READ) Ref 1.7 | Step-by-Step Guide to Adobe Photoshop and Basic Image Optimization (READ) 8

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Ref 1.8 | Digital Photographic Printing (READ) Ref 1.8 | Digital Photographic Printing (READ) 9

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Module 1 - Beyond the Surface

Module 1 - Beyond the Surface Module 1 - Beyond the Surface

Prerequisites: Reference Module 1 - Photography's Materials & Processes | Adobe Photoshop

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1.0 | Beyond the Surface: Thinking and Seeing Photographs (OVERVIEW / READ) 1.0 | Beyond the Surface: Thinking and Seeing Photographs (OVERVIEW / READ) 1

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1.1 | Thinking about Photographs (READ/WATCH) 1.1 | Thinking about Photographs (READ/WATCH) 2

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1.2 | Difference between Taking and Making Photographs (READ) 1.2 | Difference between Taking and Making Photographs (READ) 3

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1.3 | Seeing Photographs (READ/WATCH) 1.3 | Seeing Photographs (READ/WATCH) 4

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Quiz

1.4 | Beyond the Surface - Thinking and Seeing Photographs (GRADED QUIZ) 1.4 | Beyond the Surface - Thinking and Seeing Photographs (GRADED QUIZ) 25 5

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Module 2 - Why People Photograph

Module 2 - Why People Photograph Module 2 - Why People Photograph

Prerequisites: Module 1 - Beyond the Surface

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2.0 | Why Do You Photograph? (OVERVIEW/READ) 2.0 | Why Do You Photograph? (OVERVIEW/READ) 1

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2.1 | Considering How Photography Is Easy and Difficult (READ) 2.1 | Considering How Photography Is Easy and Difficult (READ) 2

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2.2 | What and How You Photograph? (READ) 2.2 | What and How You Photograph? (READ) 3

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Module 3 - Looking at a Photograph

Module 3 - Looking at a Photograph Module 3 - Looking at a Photograph

Prerequisites: Module 2 - Why People Photograph

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3.0 | Looking at a Photograph (OVERVIEW/READ) 3.0 | Looking at a Photograph (OVERVIEW/READ) 1

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Assignment

3.1 | One Picture - Image Analysis and Interpretation (GRADED ASSIGNMENT) 3.1 | One Picture - Image Analysis and Interpretation (GRADED ASSIGNMENT) 60 2

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Module 4 - The List

Module 4 - The List Module 4 - The List

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4.0 | The List - A Photographic Shooting Script (OVERVIEW/READ) 4.0 | The List - A Photographic Shooting Script (OVERVIEW/READ) 1

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Assignment

4.1 | Image-Making Assignment: The List (GRADED ASSIGNMENT) 4.1 | Image-Making Assignment: The List (GRADED ASSIGNMENT) 140 2

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Module 5 - Photography's Materials & Processes | The Camera

Module 5 - Photography's Materials & Processes | The Camera Module 5 - Photography's Materials & Processes | The Camera

Prerequisites: Module 3 - Looking at a Photograph

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5.0 | Photography's Materials and Processes | The Camera and The Lens (OVERVIEW/READ) 5.0 | Photography's Materials and Processes | The Camera and The Lens (OVERVIEW/READ) 1

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5.1 | The Cameras (READ) 5.1 | The Cameras (READ) 2

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5.2 | Digital Cameras, Smart Phone Cameras, and Apps (READ) 5.2 | Digital Cameras, Smart Phone Cameras, and Apps (READ) 3

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5.3 | The Lens (READ) 5.3 | The Lens (READ) 4

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5.4 | The Camera and The Lens (READ) 5.4 | The Camera and The Lens (READ) 5

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5.5 | Determining the Image Exposure and Making the Photograph (READ/WATCH) 5.5 | Determining the Image Exposure and Making the Photograph (READ/WATCH) 6

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Quiz

5.6 | The Camera and The Lens (GRADED QUIZ) 5.6 | The Camera and The Lens (GRADED QUIZ) 30 7

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Module 6 - Photography's Materials & Processes | Color and Grayscale

Module 6 - Photography's Materials & Processes | Color and Grayscale Module 6 - Photography's Materials & Processes | Color and Grayscale

Prerequisites: Module 5 - Photography's Materials & Processes | The Camera

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6.0 | Photography's Materials & Processes | Color and Grayscale (OVERVIEW/READ/WATCH) 6.0 | Photography's Materials & Processes | Color and Grayscale (OVERVIEW/READ/WATCH) 1

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6.1 | As Though The Blue and The Sky Were One Thing (READ) 6.1 | As Though The Blue and The Sky Were One Thing (READ) 2

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6.2 | Thinking About Another Color: Considering Grayscale, Black & White (READ) 6.2 | Thinking About Another Color: Considering Grayscale, Black & White (READ) 3

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Module 7 - Photography's Materials & Processes | The Art and Interactions of Color

Module 7 - Photography's Materials & Processes | The Art and Interactions of Color Module 7 - Photography's Materials & Processes | The Art and Interactions of Color

Prerequisites: Module 6 - Photography's Materials & Processes | Color and Grayscale

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7.0 | The Art of Color (OVERVIEW/READ) 7.0 | The Art of Color (OVERVIEW/READ) 1

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7.1 | Interaction of Color (READ) 7.1 | Interaction of Color (READ) 2

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7.2 | Color Impression and The Color of Light (READ) 7.2 | Color Impression and The Color of Light (READ) 3

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7.3 | Color Expression (READ) 7.3 | Color Expression (READ) 4

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7.4 | Some Color Definitions: How Color is Altered (READ) 7.4 | Some Color Definitions: How Color is Altered (READ) 5

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7.5 | The 12-Hue Color Circle (READ) 7.5 | The 12-Hue Color Circle (READ) 6

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7.6 | The Meanings of Color (READ) 7.6 | The Meanings of Color (READ) 7

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7.7 | Seven Color Contrasts (READ) 7.7 | Seven Color Contrasts (READ) 8

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Quiz

7.8 | Photography's Materials & Processes | Grayscale and Color (GRADED QUIZ) 7.8 | Photography's Materials & Processes | Grayscale and Color (GRADED QUIZ) 30 9

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Module 8 - Proof of Existence

Module 8 - Proof of Existence Module 8 - Proof of Existence

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8.0 | Proof of Existence (OVERVIEW/READ) 8.0 | Proof of Existence (OVERVIEW/READ) 1

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8.1 | Spotlight: William Eggleston (READ/WATCH) 8.1 | Spotlight: William Eggleston (READ/WATCH) 2

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8.2 | Spotlight: Stephen Shore (READ/WATCH) 8.2 | Spotlight: Stephen Shore (READ/WATCH) 3

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8.3 | Spotlight: Nan Goldin (READ/WATCH) 8.3 | Spotlight: Nan Goldin (READ/WATCH) 4

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8.4 | Spotlight: Bernadette Mayer (READ) 8.4 | Spotlight: Bernadette Mayer (READ) 5

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8.5 | Spotlight: Rinko Kawauchi (READ/WATCH) 8.5 | Spotlight: Rinko Kawauchi (READ/WATCH) 6

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Assignment

8.6 | Image-Making Assignment: Proof of Existence (GRADED ASSIGNMENT) 8.6 | Image-Making Assignment: Proof of Existence (GRADED ASSIGNMENT) 150 7

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Assignment

8.7 | Image-Making Assignment: HyperReal (GRADED ASSIGNMENT) 8.7 | Image-Making Assignment: HyperReal (GRADED ASSIGNMENT) 50 8

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Module 9 - Looking At It Differently | Exploring the Possibilities of Grayscale

Module 9 - Looking At It Differently | Exploring the Possibilities of Grayscale Module 9 - Looking At It Differently | Exploring the Possibilities of Grayscale

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9.0 | Looking At It Differently | Exploring the Possibilities of Grayscale (OVERVIEW/READ) 9.0 | Looking At It Differently | Exploring the Possibilities of Grayscale (OVERVIEW/READ) 1

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9.1 | Light, Dark and the Edges of the Grayscale Tonal Range 9.1 | Light, Dark and the Edges of the Grayscale Tonal Range 2

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Assignment

9.2 | Image-Making Assignment: Grayscale and Looking At Things Differently (GRADED ASSIGNMENT) 9.2 | Image-Making Assignment: Grayscale and Looking At Things Differently (GRADED ASSIGNMENT) 90 3

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Assignment

9.3 | Image-Making Assignment: When Things Are Not So Clear (GRADED ASSIGNMENT) 9.3 | Image-Making Assignment: When Things Are Not So Clear (GRADED ASSIGNMENT) 80 4

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Reference Module 2 - Photography's Materials & Processes | Developing Black & White Film

Reference Module 2 - Photography's Materials & Processes | Developing Black & White Film Reference Module 2 - Photography's Materials & Processes | Developing Black & White Film

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Ref 2.0 | Photography's Materials & Processes | Developing Black & White Film (OVERVIEW/READ) Ref 2.0 | Photography's Materials & Processes | Developing Black & White Film (OVERVIEW/READ) 1

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Ref 2.1 | Film Developing Health and Safety Considerations (READ) Ref 2.1 | Film Developing Health and Safety Considerations (READ) 2

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Ref 2.2 | Film Developing Equipment and Materials (READ) Ref 2.2 | Film Developing Equipment and Materials (READ) 3

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Ref 2.3 | Loading Film On Reel and In Developing Tank (READ) Ref 2.3 | Loading Film On Reel and In Developing Tank (READ) 4

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Ref 2.4 | Film Developing Terms and Definitions (READ) Ref 2.4 | Film Developing Terms and Definitions (READ) 5

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Ref 2.5 | Step-by-Step Guide to Developing Film (READ) Ref 2.5 | Step-by-Step Guide to Developing Film (READ) 6

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Ref 2.6 | How Film Processing Affects the Picture (READ) Ref 2.6 | How Film Processing Affects the Picture (READ) 7

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Reference Module 3 - Photography's Materials & Processes | Input - Principles of Scanning

Reference Module 3 - Photography's Materials & Processes | Input - Principles of Scanning Reference Module 3 - Photography's Materials & Processes | Input - Principles of Scanning

Prerequisites: Reference Module 2 - Photography's Materials & Processes | Developing Black & White Film

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Page

Ref 3.0 | Photography's Materials & Processes | Input - Principles of Scanning (OVERVIEW/READ) Ref 3.0 | Photography's Materials & Processes | Input - Principles of Scanning (OVERVIEW/READ) 1

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Ref 3.1 | Scanning and Image Sizing - Terms and Definitions (READ) Ref 3.1 | Scanning and Image Sizing - Terms and Definitions (READ) 2

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Ref 3.2 | Using the Epson Flatbed Scanner Ref 3.2 | Using the Epson Flatbed Scanner 3

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Module 10 - The Photographic Scene

Module 10 - The Photographic Scene Module 10 - The Photographic Scene

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10.0 | The Photographic Scene (OVERVIEW/READ) 10.0 | The Photographic Scene (OVERVIEW/READ) 1

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10.1 | Identity and The Photographic Portrait (READ) 10.1 | Identity and The Photographic Portrait (READ) 2

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10.2 | Meanings of Space and Place in the Photographic Landscape (READ) 10.2 | Meanings of Space and Place in the Photographic Landscape (READ) 3

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10.3 | The Photograph as Document (READ) 10.3 | The Photograph as Document (READ) 4

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10.4 | Arrangements - The Photographic Still Life (READ) 10.4 | Arrangements - The Photographic Still Life (READ) 5

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10.5 | Spotlight: Sally Mann (READ/WATCH) 10.5 | Spotlight: Sally Mann (READ/WATCH) 6

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10.6 | Spotlight: Cindy Sherman (READ/WATCH) 10.6 | Spotlight: Cindy Sherman (READ/WATCH) 7

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10.7 | Spotlight: New Topographics – Photographs of a Man-Altered Landscape (READ/WATCH) 10.7 | Spotlight: New Topographics – Photographs of a Man-Altered Landscape (READ/WATCH) 8

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10.8 | Spotlight: Robert Frank and The Americans (READ/WATCH) 10.8 | Spotlight: Robert Frank and The Americans (READ/WATCH) 9

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10.9 | Spotlight: Alec Soth (READ/WATCH) 10.9 | Spotlight: Alec Soth (READ/WATCH) 10

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10.10 | Spotlight: Vanessa Winship (READ/WATCH) 10.10 | Spotlight: Vanessa Winship (READ/WATCH) 11

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10.11 | Spotlight: Roe Ethridge (READ/WATCH) 10.11 | Spotlight: Roe Ethridge (READ/WATCH) 12

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10.12 | Some Considerations for Approaching The Photographic Scene 10.12 | Some Considerations for Approaching The Photographic Scene 13

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Assignment

10.13 | Image-Making Assignment - The Photographic Scene (GRADED ASSIGNMENT) 10.13 | Image-Making Assignment - The Photographic Scene (GRADED ASSIGNMENT) 150 14

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Module 11 - Looking at Photographers

Module 11 - Looking at Photographers Module 11 - Looking at Photographers

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11.0 | Looking at Photographers (OVERVIEW/READ) 11.0 | Looking at Photographers (OVERVIEW/READ) 1

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Assignment

11.1 | Looking at a Photographer (GRADED ASSIGNMENT) 11.1 | Looking at a Photographer (GRADED ASSIGNMENT) 80 2

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Module 12 - Points of View

Module 12 - Points of View Module 12 - Points of View

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12.0 | Points of View - Framing a Photographic Narrative (READ) 12.0 | Points of View - Framing a Photographic Narrative (READ) 1

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12.1 | Spotlight - Dawoud Bey (READ/WATCH) 12.1 | Spotlight - Dawoud Bey (READ/WATCH) 2

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Page

12.2 | Spotlight - David Hilliard (READ) 12.2 | Spotlight - David Hilliard (READ) 3

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Page

12.3 | Spotlight - JoAnn Verburg (WATCH) 12.3 | Spotlight - JoAnn Verburg (WATCH) 4

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Page

12.4 | Spotlight - Bernd & Hilla Becher (READ/WATCH) 12.4 | Spotlight - Bernd & Hilla Becher (READ/WATCH) 5

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12.5 | Some Considerations for Approaching Points of View and Framing a Photographic Narrative (READ) 12.5 | Some Considerations for Approaching Points of View and Framing a Photographic Narrative (READ) 6

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Assignment

12.6 | Image-Making Assignment: Points of View (GRADED ASSIGNMENT) 12.6 | Image-Making Assignment: Points of View (GRADED ASSIGNMENT) 100 7

must_submit assignment 2602012 1

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Module 13 | The Photographic Portfolio

Module 13 | The Photographic Portfolio Module 13 | The Photographic Portfolio

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Page

13.0 | In Sight - Developing A Photographic Portfolio (OVERVIEW/READ) 13.0 | In Sight - Developing A Photographic Portfolio (OVERVIEW/READ) 1

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13.1 | Some Photographic Portfolios and Ideas (READ) 13.1 | Some Photographic Portfolios and Ideas (READ) 2

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Assignment

13.2 | Final Project - The Photographic Portfolio (GRADED ASSIGNMENT) 13.2 | Final Project - The Photographic Portfolio (GRADED ASSIGNMENT) 280 3

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